Madonna and Me: Isang Pagmimito

Issue: Volume 16 Issue 02
Theme: Fandom and Cinephilia in Southeast Asia
Type of Article: Main Article Authors: Pascual, Chuckberry J. DOI: https://doi.org/10.52518/2020.16.2-05pscual APA Reference Entry:

Pascual, C. J. (2019). Madonna and Me: Isang Pagmimito. Plaridel, 16(2), 113-141. https://doi.org/10.52518/2020.16.2-05pscual

 December 2019 · Volume No.: 16 Issue No.: 02 Editors: Promkhuntong, Wikanda Chin, Bertha contextualization of theoryDe-Westernization of film adaptation discoursedominant adaptation discoursefilm adaptation theoryindigenousvernacular and hybrid theory

Abstract

Tinatangka ng “Madonna and Me: Isang Pagmimito” na isalaysay ang mito ni Madonna bilang tagalabas, at ilapat ang mito na ito sa praktika ng pagsulat (at bilang epekto, sa pagbasa) ng isang Pilipinong manunulat. Ang paglikhang ito ng mito ay hindi lamang isang anyo ng poetika, maaari rin itong tingnan bilang halimbawa ng pag-aaral sa isang postkolonyal na subjectivity, at isang teorya sa pagsulat.

“Madonna and Me: An Act of Myth-making” attempts to delineate the myth of the Western popstar Madonna as an outsider, and reinscribe the same myth into the writing (and in effect, reading) practice of a Filipino writer. This act of “myth-making” is not just a form of poetics, it can also be seen as an example of a study of postcolonial subjectivity, and a theory of writing.

2019-02-Pascual

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